Monday, May 19, 2008

Greetings from: Sarad Bagh Palace, Jubilee Hospital

Today, two new words: bukum, the Hindi word for earthquake. And wabi, the Japanese word for a beautiful image of destruction.

The gardens surrounding the Sarad Bagh Palace are shady and peaceful, with plenty of nooks where lovers can sneak in quick moments of intimacy. It’s a break from the sun and the strong wind blowing today, carrying sharp bits of dirt to bite into your skin. A one-floor summer house holds the Palace’s treasures: chandeliers, silver mail holders and pheasants, pictures of dignitaries, and a distressing number of dead animals. Two stuffed tigers, a stuffed leopard, long, graceful elephant tusks, and heads mounted in a taxidermy roar. This was the time of the Great White Hunter -- or in this case, the Great Brown Hunter.

I can only imagine what all that must have looked like in the Palace itself. The yellow building must have been beautiful once, embellished with ornate carvings and graceful arches; now, these had fallen in upon themselves, held together with good intentions and hope. Sealed up doors, shuttered windows; the crumbling top floor of the Palace houses nothing but pigeons.

I came across the Jubilee Hospital quite by accident in my wanderings; I’m not sure I could retrace my steps. And even if I could, as eerily beautiful as the hospital is, it is equally heartbreaking to think about what had happened here. Along the railing of the second floor, people tied mementos -- ribbons, prayers, memories. Like the outpouring of candles and teddy bears at any American disaster area. But how they got there, I don’t know; no staircase remains to the second floor, though the hint of where one had once attached to the wall remains. Contorted I-beams, a mound of concrete blocks, some wobbly bamboo poles: this is the only access to the second floor now.

The debris of everyday hospital workings -- a temperature chart, a water bottle, a rubber slipper -- still lie haphazard amongst the debris, as if the earthquake had simultaneously both destroyed the moment and frozen it in time. The painted “please no smoking” sign seems almost cheerful in its anachronism. I imagine a nurse in her crisp whites frowning at a visitor and tapping the sign with her pen. What’s the point now? The rooms are empty, the windows broken. The dead, the dying who were once trapped here are long gone, and now the building has been left to decay. One sky-blue metal door stands half-open, as if waiting to receive patients again. Just outside of the hospital was a temple. To honor the dead? I wonder. It was closed.

Sunday, May 18, 2008

Greetings from: BHUJ

Traveling in the well-known cities offers you a safety net. You can draw upon the experiences of former travelers; better yet, you can meet fellow travelers and caravan. Bhuj, however, offers no such luxuries. As I walked through the city, the heat staved off bravely by occasional breezes, I felt like the only foreigner for miles around. And I probably was, too.

But it’s made bearable because the people here are exceedingly friendly. I’m ashamed to admit it, but India has made me paranoid and suspicious. When someone approaches me, I try to figure out what they want from me, what his angle is. But here in Bhuj, people seem genuinely curious. They stare at me (not a problem, since I tend to stare right back), simply because I’m a novelty; I don’t think many tourists come this way. But people are generous with their smiles, with their good-natured humor.

The women’s clothing here is a riot of prints; from what I understand, the different patterns denote different tribes, ethnic clans. It’s beautiful -- the full-throated colors, the draped layers, the jewelry.

They sell a brand of bottled water here called Blister -- no kidding.

Greetings from: various points of transit towards AHMEDABAD

The Taj Mahal is off the agenda. It’s something that’s better done as a couple -- going there alone is like having a restaurant’s Valentine’s Day special solo. All the happy couples cluck their tongues and look at you pityingly.

I had my craziest auto-rickshaw driver yet. He spoke no English, and I spoke no Hindi, but we got on together swimmingly. Well, other than he didn’t know where he was supposed to be going, mistaking Asaf Ali Road for Ansari Road. But at the India Gate, we saw a woman smacking around a teenage boy with her slipper, and with hit, he cheered her on. H jerked the auro-rickshaw one way, made sudden stops -- the most close calls I’ve had thus far. When he scraped the end of a parked auto-rickshaw, he glanced at the damage, then moved on.

The combination of cars “temporarily” parked in driving lanes and narrow streets leads to explosive situations. While two lanes and directions of traffic tried to squeeze past in one lane, one driver got out of his vehicle and pushed around a much older rickshaw driver. All the while, my driver was honking, trying to get things moving, directing traffic around his auto-rickshaw with only inches to spare. He remained good-humored throughout and kept speaking to me in Hindi -- we were somehow on the same wavelength.

On the way to the airport, my taxi driver, shut the side window on the hand of a female beggar who had come up to the car. He didn’t do it hard, because she continued begging even as he yelled at her. I felt somewhat bad (but not bad enough to give up a coin). Besides, it beats getting your foot run over by a car (which happened earlier this morning). My sneaker took the squooshing like a trooper, and my toes avoided harm.

At the airport, a stylish young man carried a square, leather man-purse studded with rhinestones along its edges. Thankfully, the limited American definition of “gay” has not yet come across the ocean. McDonald’s has, however, serving McVeggie and McChicken burgers (would you like chapatti with that?). There’s the Indian version of Starbucks, CafĂ© Coffee Day. There’s the Indian version of Panda Express, Yo! China. And there’s the Indian version of Coke, which is also called Coke and has the same color and carbonation, but tastes nothing like Coke.

In Ahmedabad, my luck ran out. Getting to the bus stand from the airport at 9:30 p.m. was no problem, but once there, the ticket taker, a hearty, middle-aged man, informed me -- through awkward, broken language -- that the bus to Bhuj was full. Others attempted to get on the bus, and he steadfastly refused them. He didn’t know when the next bus would be, and even so, the ticket office was closed. I wouldn’t be able to reserve myself a seat. By this time, I was carrying a unwieldly number of bags: my carry-on, a laptop bag, my day bag, two hanging suits, and an umbrella. I could either try to catch the 11:59 p.m. train, or I could find a hotel and arrange transport to Bhuj tomorrow. He pointed another bus that was going to Bhuj, and as it started moving, people swarmed onto it, one hand on the bar, the other on their luggage -- and I understood how people get trampled to death at Indian train stations.

Perhaps the driver took pity on this lost foreigner, looking pitiful and bewildered. But before the bus pulled out, he waved me on. The cost of the bus to Bhuj was less than the taxi ride from the airport to the bus stand. There wasn’t an official seat available, but I could sit behind the driver on a ledge, near the gear box. The ticket taker handed me a cushion. I think this was where he normally sat, but there was room for two -- barely. An elderly gentleman in the front row offered up his seat so that the ticket taker could relax. We sat together, this gentleman and I, as the cool Gujarati night came through the window. As the other passengers reclined their seats and let the breeze come to them, we two kept a vigil with the truck drivers flicking their high beams so that it looked like flash lightning; with the factories lit from within like a Christmas light stuck inside of an eggshell; with the passing cars and motorcycles, playing symphonies with their horns; and with the three-quarters full moon, reflecting the puddles of the salt marsh so that the ground glowed phosphorescent.

Friday, May 16, 2008

Greetings from: BAGDOGRA airport

While traveling, it’s easy to think that you’re both a part of and apart from the world. But some realities can’t be ignored. The bombings in Jaipur two days ago serves as a grim reminder that not all of India of politically stable, that not all of the tensions have yet been eased. Even though I had no plans to go to Jaipur, Gujarat, my next major destination, has its own history of riots and violence. This, of course, comes on the heels of tragedies worldwide: the earthquake in China, the cyclone in Burma. The world has never been a safe place. It threatens friend and foe alike.

The televisions in the terminal of Bagdogra Airport were tuned to a Hindi news channel, covering the latest revelations and discoveries about the bombing. An email sent just before the blasts that included footage of the bicycles believed to have been involved. The global 24-hour news cycle demands that no piece of information is too fresh to go unreported. For instance: two famous Bollywood stars plan to marry, and the news shows their pictures in clip art hearts, bouncing around to the theme from Chariots of Fire. Strangely enough, the TV in the waiting area was tuned to the cable information channel -- here’s how to get the most out of your Tata Sky.

When we pulled into Indira Gandhi airport -- this time on the domestic side -- I noticed that the airport buildings (flight control towers, hangars, refueling stations) were painted in a red and white checkerboard pattern.

It goes without saying that my plane was late.